Washington IV

Four Walls - S.T.A.R.R. Leaves Knoxville

“4 Walls: S.T.A.R.R. Leaves Knoxville” - Carlton “S.T.A.R.R.” Releford, the subject of the “4 Walls” documentary, says goodbye to Knoxville as he leaves on a bus to pursue his dreams in Atlanta.
Directed by G. Washington. Editor: Brian Greer.
Copyright 2008 Brass Knuckles Productions.
For more information, please visit www.myspace.com/4wallsfilm and www.blacksunshine.org.

Four Walls - Slam Poet Documentary

“4 Walls” featuring S.T.A.R.R. - Television show pilot showcasing local slam poetry artists from Knoxville, Tennessee.

Produced and directed by G. Washington. Executive Producers: Kenneth Stephens, Wash Rogers, Brian Greer. Editor: Brian Greer.
Copyright 2007 Brass Knuckles Productions.
For more information, please visit www.myspace.com/4wallsfilm and www.blacksunshine.org.

WARNING: This video contains explicit language.

Escape

“Escape” -
The waking dreams, and nightmares, of a young girl.
Winner, Best East Tennessee Film, 2005 “15 Minutes of Fame” Film Festival.
Produced and directed by Brian Greer and Wash Rogers. Edited by Brian Greer.
Copyright 2007 Brass Knuckles Productions.
www.brassknuxfilms.com

Gestation

“Gestation”
The incubation of a dream as it turns into a nightmare.
Produced and directed by Angela R. Dick & George W. Rogers

Consumption

“Consumption”

A short film that examines the complexity of family relationships and the toll that they take on children’s innocence once the sordid interiors come to the surface.

Directed and Produced by G.W. Rogers
Editor: Brian Greer

Physiological Peregrination

“Physiological Peregrination” -
An abstract look at the journey of a living organism.
Produced and directed by Wash Rogers and Angela R. Dick.
Copyright 2007 Brass Knuckles Productions.
www.brassknuxfilms.com

XY

“XY” -
What is memory?
Who is a person, but the reflection of his or her own memories?
There are three main stages in the formation and retrieval of memory.
Encoding, Storage and Retrieval.
What happens when the calculated nature of society, through the use of numbers as a classification element to label people, encroaches on personal memories and dehumanizes the individual as a result?

Do arbitrary numbers, e.g. Social Security Numbers, Credit Card Numbers, Phone Numbers, etc. define who the individual is or does one’s own personal experiences that he or she remembers establish the composite representation of the individual.

Directed by George Rogers. Edited by Brian Greer. From the “Transmissions” series of short films. Copyright 2003, 2005 Brass Knuckles Productions.